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Franz Anton Maulbertsch
Allegory of the Alba
c. 1750
Oil on canvas
67 x 53 cm
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Franz Anton Maulbertsch
Der Apostel Philippus tauft einen Eunuchen
c. 1750
50,5 X 34,5 cm
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Franz Anton Maulbertsch
Der Quacksalber
Franz Anton Maulbertsch: Der Quacksalber (The quack), before 1785
Oil on wood, 53 x 56 cm
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Franz Anton Maulbertsch
Apotheosis of a Hungarian Saint
1773
Oil on canvas
73 x 46 cm
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Franz Anton Maulbertsch
Allegory of the Alba
Medium Oil on canvas
Dimensions 67 x 53 cm
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Franz Anton Maulbertsch
Apotheosis of a Hungarian Saint
Medium Oil on canvas
Dimensions 73 x 46 cm
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Franz Anton Maulbertsch
Der Quacksalber
1785
Oil on wood, 53 x 56 cm
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Franz Anton Maulbertsch
Der Apostel Philippus tauft einen Eunuchen
Deutsch: um 1750
English: c. 1750
Medium Deutsch: Öl auf Papier
Dimensions Deutsch: 50,5 X 34,5 cm
cyf
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Franz Anton Maulbertsch
Himmelfahrt Maria
1762-1764
Medium oil on paper
Dimensions 68 x 33 cm
cjr
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Franz Anton Maulbertsch
The quack
Date before 1785(1785)
Medium oil on panel
Dimensions 53 X 56 cm (20.9 X 22 in)
ttd
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| Franz Anton Maulbertsch
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(June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region.
Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750.
An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn.
He also painted a portrait of Narcissus of Jerusalem
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